Posts Tagged 'communism'

A sympathetic reaction: C.P. Snow’s The Light and the Dark.

In a subplot of Kingsley Amis’s 1978 novel Jake’s Thing, an Oxford college debates whether to surrender to the Zeitgeist and admit female students. It’s mentioned that a strange alliance is forming between the more reactionary of the men’s colleges – attached to the status quo for the reasons you’d expect – and the women’s colleges, who fear losing their student base to the more prestigious, traditionally all-male institutions.

“It’s like something out of C.P. Snow,” someone observes.

For C.P. Snow’s novels are famously About Politics. I capitalize the words to emphasize that this is not the same as being Political, as the word is usually meant: when we attend an evening of Political comedy, we don’t expect a bunch of gags about coalition building, or how to swing a recalcitrant committee member to your side; we expect to be lectured about how awful the Republicans are, with (if we’re lucky) a few jokes thrown in.

I would be hard-pressed to name a book more About Politics than 1951’s The Masters, which concerns the manoeuvres leading up to a vote by the dozen or so fellows of a Cambridge college to elect a new Master from among themselves. It’s a topic that would lend itself to black humour; but however low-stakes their dissensions appear, however petty their motives, Snow never treats his characters cynically. As he wrote elsewhere, in what could serve as a thesis statement for all his fiction:

Put your ear to those meetings and you heard the intricate labyrinthine and unassuageable rapacity, even in the best of men, of the love of power. If you have heard it once – say, in electing the chairman of a tiny dramatic society, it does not matter where – you have heard it in colleges, in bishoprics, in ministries, in cabinets: men do not alter because the issues they decide are bigger scale.

That passage comes from 1954’s The New Men, which is about British physicists working to develop the atom bomb during World War II, and subsequent efforts by the idealists among them to prevent the bomb from actually being used. It belongs, along with the better-known The Masters, to the Strangers and Brothers series: eleven novels written over a span of thirty years, collectively depicting a life and career arc roughly paralleling the author’s own. I’ve read three others:

The Affair (1960), set twenty years after The Masters and at the same Cambridge college, concerns an apparent case of academic fraud by a stridently left-wing scientist that divides the administration.

The Sleep of Reason (1968), set in a grimy corner of England during the 1960s sexual revolution, examines both sides of a sexually sadistic murder trial where the sanity of the defendants is in doubt. (It was Peter Hitchens’s review of The Sleep of Reason a few years back that inspired me to start collecting Snow’s books.)

The Light and the Dark (1947) I’ll be discussing below.

Our narrator and authorial stand-in Lewis Elliott takes an active part in the conflicts animating these stories. He’s usually aligned with the “radical” side, meaning he supports the modern progressive agenda, more or less, albeit with more central economic planning and less freaky sex stuff. But Elliott, like his creator, is a level-headed, good-humoured chap who keeps up friendships even with political foes.

But it’s not only the author’s fair-mindedness that keeps the novels from feeling propagandistic – Political in the typical sense. It’s that Snow isn’t much interested in rehashing topics that at the time would have seemed wearisomely familiar from op-eds and dinner party debates. Perhaps because he sees political beliefs as being formed by personality and social pressures rather than by reasoned-out arguments, or perhaps simply because he finds political debate dull as a subject for fiction, the content of those debates is usually skimmed over. His characters let fall acid remarks at parties, unburden their souls while strolling by the Cam, reveal too much under the influence of alcohol, but their words are always slightly askew of the main point. On occasion a key revelation will be so artfully, annoyingly lacking in specifics that you wonder if you’ve skipped a page.

The Light and the Dark, though less About Politics than the other books mentioned above, is somewhat more Political. It’s about Lewis Elliott’s friendship with a dashing, brilliant, emotionally troubled linguist named Roy Calvert, whose specialty is the early writings of Manichaeism, the extinct faith whose name has become shorthand for black-white thinking.

The setting is Cambridge and London in the 1930s. Calvert’s researches take him frequently to Berlin, where in his naturally gregarious way he makes friends in both low and high society: among the Bohemian fringe as well as in the ruling Nazi elite.

Back home he is reproached by some of his fellow academics for his apparent Nazi sympathies, but such sentiments are not uncommon at a time when many moderate Englishmen are still eager to believe that war can be avoided. Calvert is protected by his reputation for frivolity. At the faculty dining table he amuses himself by teasing the more hawkish fellows; with a straight face he suggests that the college’s Jewish scholars be reclassified as “Welsh by statute” to remove a potential source of friction with the Germans. And yet he’s personally unprejudiced, twits his Nazi friends openly about their “mad” Jewish policy, and at some personal risk and expense helps a family of German Jews resettle in England.

Inviting the narrator to visit him in Berlin, Calvert opens up about his hopes for the regime:

The future [said Calvert] would be in German hands. There would be great suffering on the way, they might end in a society as dreadful as the worst of this present one: but there was a chance – perhaps a better chance than any other – that in time, perhaps in our life time, they would create a brilliant civilisation.

“If they succeed,” said Roy, “everyone will forget the black spots. In history success is the only virtue.”

To us this sounds callous and nuts, but Calvert knows that it will be difficult for Elliott to refute without being hypocritical; it so closely parallels the arguments of their pro-Soviet friends.

(As a real-life example, here’s Snow’s contemporary, the poet Stephen Spender, remembering in The God That Failed what he believed as a young Communist in 1930s England:

One ceases to be inhibited by pity for the victims of revolution. … These lives have become abstractions in an argument in which the present is the struggle, and the future is Communism – a world where everyone will, eventually, be free. … It is “humanitarian” weakness to think too much about the victims. The point is to fix one’s eyes on the goal, and then one is freed from the horror and anxiety – quite useless in any case – which inhibit the energies of the liberal mind.)

Calvert, though himself intellectually subtle and temperamentally moderate, is attracted to simple and radical solutions. He is fond of a paradox (apparently a paraphrase of a famous line of the Cambridge clergyman Charles Simeon) that “the truth lies at both extremes. But never in the middle.” We see that his attraction to Nazism is connected to his religious yearnings – an atheist despite himself, he is terrified by the implications of free will, and suspects that he and others would be happier with their choices constrained. He perceives a germ of good sense at the core of the Nazi’s authoritarian philosophy which allows him to forgive their excesses.

It’s fascinating to hear such a likable character propound a tolerant view of Nazism, a view which must have been widespread in pre-war England but which now is so utterly abominated that it’s given voice only by cranks. As I’ve written before, despite its current reputation as a cesspool of drooling halfwits, had Nazism lasted longer as a governing philosophy it would inevitably, like Soviet Communism, have accumulated a vast library of subtle encomiums by anti-bourgeois intellectuals. People are capable of believing any implausible thing, and clever people are both better than the rest of us at coming up with good arguments for implausible beliefs, and more likely to be attracted to beliefs that give them the scope to demonstrate their cleverness. (The question, in this as in any other age, is whether our prevailing belief system is likely to stand up to the judgement of history, or whether we too will be revealed to have been taken in by a lot of fine-sounding razzmatazz.)

Calvert never exactly renounces his sympathies; when war breaks out he falls patriotically back into line. He tries retrospectively to explain to his friend his mixed feelings:

Roy said that he had never quite been able to accept the Reich. It was a feeble simulacrum of his search for God. Yet he knew what it was like to believe in such a cause. “If they had been just a little different, they would have been the last hope.” I said that was unrealistic: by the nature of things, they could not have been different. But he turned on me:

“It’s as realistic as what you hope for. Even if [the Germans] lose, the future isn’t going the way you think. Lewis, this is where your imagination doesn’t seem to work. But you’ll live to see it. It will be dreadful.”

As usual, Snow doesn’t spell out what Calvert means. I’d guess that in his disdain for the comfortable middle way Calvert dreads the triumph of Nietzsche’s Last Man, that stunted mediocrity incapable of higher aspirations than securing the safety of his own supple and well-moisturized hide:

One no longer becomes poor or rich; both are too burdensome. Who still wants to rule? Who still wants to obey? Both are too burdensome.

No shepherd, and one herd! Everyone wants the same; everyone is the same: he who feels differently goes voluntarily into the madhouse.

“Formerly all the world was insane,” – say the subtlest of them, and they blink.

They are clever and know all that has happened: so there is no end to their derision. People still quarrel, but are soon reconciled – otherwise it upsets their stomachs.

They have their little pleasures for the day, and their little pleasures for the night, but they have a regard for health.

“We have discovered happiness,” – say the Last Men, and they blink.

–from Thus Spake Zarathustra

Nearly eighty years later we’re much further along the road to Last Manhood, and it’s a good bet that if Calvert had lived to see it he would have despised our culture of trigger warnings, social media mobs, and corporate thought policing. Whether the progressive Lewis Elliott would have adapted better to present-day pieties is unclear. In his broad-minded way he would no doubt have found much to praise about them; but I suspect he would have felt a twinge of compunction when he saw some so-called Nazi being harried from his career for threatening the highly-evolved sensibilities of the modern Left.

M.

Last year I voiced my revulsion at all the trendy talk about Nazi-punching, and more recently I expressed some sympathy for racist idiots. Nietzsche’s Last Man has been on my mind quite a bit over the last few years; witness this 2016 post about time travel, immigration, and the End of History which, I’ve come to realize, pretty much sums up everything I currently believe.

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The old, illogical morality: The Kindly Ones and Darkness at Noon.

Note: This is the third in a cache of old abandoned blog posts I recently recovered from a rarely-used laptop. The “project” I allude to below is the novel I’m currently wrapping up, about which more soon.

In preparation for a project I’m thinking of attempting, I’ve been doing some research on life behind the Iron Curtain. To this end I was recently reading Anne McElvoy’s The Saddled Cow: East Germany’s Life and Legacy, in which she interviews Wolfgang Leonhard, a “former comrade” of longtime East German ruler Erich Honecker. Leonhard recalls of the leader-to-be:

He had the main characteristic I would consider essential for success as a young functionary: absolutely average intelligence. In a communist party on the Stalinist model, you have to have a good memory and an ability to absorb reams of resolutions and turn them into directives, so you need a certain basic intelligence. You can’t be plain dumb, as was required under the Nazis, because the ideology is much more complicated. But you can’t be too intelligent, because people of above-average intellect have a tendency to challenge the arcana, to spot its flaws, which makes them disobedient.

Did the Nazis require their members to be “plain dumb”? To some degree we must defer to the old comrade’s experience. As a youth in the Third Reich, Leonhard must have met many Nazis, and maybe they were on the whole dumber than his Communist acquaintances – although one doubts his impartiality. Certainly Nazism and its Fascist sister-governments had their share of intelligent sympathizers, from Martin Heidegger to Robert Brasillach to Ezra Pound; and I suspect if those governments had remained on the scene longer, they would eventually have accumulated a body of Western intellectual fellow-travellers like those that forgave and justified all Communism’s “mistakes” and “excesses”. But it’s hard to say.

Leonhard’s comment brought to mind a scene in The Kindly Ones, Jonathan Littell’s disturbing novel of World War II. Our narrator and “hero”, the intelligent and cultured SS officer Dr. Maximilian Aue, as punishment for having displeased his superior, is transferred to Stalingrad just as the Germans are losing control of that city to the Soviet counterattack. There, amid the rubble and sickness and squalor, he interviews a captured enemy politruk – a Communist Party member assigned to a Soviet army unit to build morale and ensure obedience to the party line. Their conversation runs for several pages and makes a useful crib sheet on the differences and similarities between the two totalitarianisms. Here’s how the politruk sums it up:

“[O]ur ideologies have this basic thing in common, which is that they are both essentially deterministic; racial determinism for you, economic determinism for us, but determinism all the same. We both believe that man doesn’t freely choose his fate, but that it is imposed on him by nature or history. And we both draw the conclusion that objective enemies exist, that certain categories of human beings can and must legitimately be eliminated not for what they’ve done or even thought, but for what they are. In that, we differ only in the definition of the categories: for you, the Jews, the Gypsies, the Poles, and even, I believe, the mentally ill; for us, the Kulaks, the bourgeois, the Party deviationists. At bottom, it’s the same thing; we both reject the homo economicus of the capitalists, the egotistical, individualistic man trapped in his illusion of freedom, in favor of a homo faber: Not a self-made man but a made man, you might say in English, or a man yet to be made, since communist man must still be constructed, educated, just like your perfect National Socialist. And this man-to-be-made justifies the pitiless liquidation of everything that is uneducable, and thus justifies the NKVD and the Gestapo, gardeners of the social body, who tear out the weeds and force the good plants to follow their stakes.”

This politruk, like Aue, has been sent to the front after falling out of favour with his superiors. He bears a passing resemblance to Rubashov, the main character in Arthur Koestler’s Darkness at Noon, a high-ranking commissar and veteran of the Revolution who is imprisoned on trumped-up charges and tried as a “Party deviationist”. In his diary Rubashov writes:

We [Communists] have learnt history more thoroughly than the others. We differ from all others in our logical consistency. We know that virtue does not matter to history, and that crimes remain unpunished; but that every error has its consequences and venges itself unto the seventh generation. Therefore we concentrated all our efforts on preventing error and destroying the very seeds of it. Never in history has so much power over the future of humanity been concentrated in so few hands as in our case. Each wrong idea we follow is a crime committed against future generations. Therefore we have to punish wrong ideas as others punish crimes: with death.

History put me where I stood; I have exhausted the credit which she accorded me; if I was right I have nothing to repent of, if wrong, I will pay.

Following this logic, Rubashov convinces himself of the historical necessity of his own annihilation. He willingly confesses to the absurd charges against him and abases himself at his show trial.

Just as Darkness at Noon illustrates the thought processes by which an intelligent man can arrive at the conclusion that his own life must be sacrificed to the vaunted triumph of the Classless Society, The Kindly Ones shows how an intelligent man can convince himself of the necessity of exterminating whole ethnicities deemed inconvenient to the security of the state. At one point Dr. Aue accepts an invitation to dinner at Adolf Eichmann’s apartment and finds himself instructing his host on the finer points of their shared ideology – specifically, how it can be reconciled with Kant’s categorical imperative. (At his 1961 trial in Israel, Eichmann would arouse indignation by proclaiming, as Hannah Arendt recounts in Eichmann in Jerusalem,

that he had lived his whole life according to Kant’s moral precepts, and especially according to a Kantian definition of duty.

Arendt expresses surprise that Eichmann, questioned by a judge on this point, is able to supply “an approximately correct definition of the categorical imperative”.)

At his dinner party, Eichmann listens eagerly as his educated guest explains how Kant’s philosophy of individual will can be reconciled with the Führerprinzip, the principle that in the Third Reich “the Führer’s words have the force of law”:

“You have to live out your National Socialism by living your own will as if it were the Führer’s … Whoever only obeys orders like an automaton, without examining them critically to penetrate their inner necessity, does not work closer to the Führer; most of the time, he distances himself from him. … All law must rest on a foundation. Historically, this has always been a fiction or an abstraction – God, the King, or the People. Our great advance has been to base the legal concept of the Nation on something concrete and inalienable: the Volk, whose collective will is expressed by the Führer who represents it. When you say Frei sein ist Knecht sein [To be free is to be a vassal], you have to understand that the foremost vassal of all is precisely the Führer, since he is nothing but pure service. We are not serving the Führer as such, but as the representative of the Volk, we serve the Volk and must serve it as the Führer serves it, with total abnegation. That’s why, confronted with painful tasks, we have to bow down, master our feelings, and carry them out with firmness.”

It’s possible that the mental convolutions necessary to overcoming the evident contradictions of Communism and National Socialism make those ideologies more appealing to intelligent people; it is precisely their affront to common sense that make them attractive to those, like Rubashov and Dr. Aue, who justly perceive themselves as uncommon. No particular genius is necessary to observe that mass murder is wrong. It takes a nimble mind to argue that the grand march of history dictates the necessity of submitting to this distasteful duty.

Rubashov, on the eve of his execution, begins to doubt the result to which his reasoning has led him:

For forty years he had lived strictly in accordance with the vows of his order, the Party. He had held to the rules of logical calculation. He had burnt the remains of the old, illogical morality from his consciousness with the acid of reason. … And where had it landed him? Premises of unimpeachable truth had led to a result which was completely absurd … Perhaps it was not suitable for a man to think every thought to its logical conclusion.

Perhaps not, but how are we to know when to abandon logic except by logically analyzing the problem? Some like to imagine there’s an invisible thread wound around our hearts that will, if we let it, guide us back to the light when logic leads us astray. Call this thread God, or conscience, or common humanity. But the history of the last century demonstrates that the thread, if it exists, is easy to sever, and that far from feeling lost without it, we gloat over our freedom.

M.

Solzhenitsyn, funnyman.

Here’s the funny thing about Aleksandr Solzhenitsyn: he’s funny. You’d expect Gulag Archipelago to be a slog, but the very first lines of the preface, where the author describes some starving prisoners “flouting the higher claims of ichthyology” to wolf down a prehistoric fish they’d discovered frozen in the Siberian ice, made me laugh. Knowing that he survived the slave-camps himself, one would expect Solzhenitsyn to be embittered, indignant, aflame with righteous rage – and he is. But above all he’s a great writer with a keen ear for absurdity and a Siberia-sized index-card file full of astounding stories about life under the Soviets. *

Here’s one. A new prisoner arrives in camp and the guard raises an eyebrow at his long sentence. “Twenty-five years! What did you do?”

“Nothing at all,” comes the sullen reply.

“You’re lying!” says the guard. “The sentence for nothing at all is ten years.”

I laughed because it has the structure of a joke – and in fact, its tidiness and rim-shot pacing suggest to me that it is a joke. But whether or not the actual words were spoken by an actual guard, the joke is true. Consider (I open Volume One randomly, to page 82) the “traitors of the Motherland”, tens of thousands of ex-soldiers slapped with prison terms at the conclusion of World War II; their crime was to have spent time in German prisoner-of-war camps. (Their real offense, Solzhenitsyn points out, was to have been “witnesses to humiliating [Soviet] defeats.”) Their sentence? Ten years.

Here’s another one. The Solovki camp, on an island near the Arctic Circle, was getting some unwelcome publicity in the West. To put a stop to rumours that Solovki was something other than a socialist paradise in the making, in 1929 Moscow sent the famous proletarian writer Maxim Gorky on a fact-finding mission to the camp. The administrators scurried about preparing for Gorky’s visit, “hid the monstrosities and polished things up for show”, but…

Only in Kem was there an oversight. On Popov Island the ship Gleb Boky was being loaded by prisoners in underwear and sacks, when Gorky’s retinue appeared out of nowhere to embark on that steamer! You inventors and thinkers! Here is a worthy problem for you … a barren island, not one bush, no possible cover – and right there, at a distance of three hundred yards, Gorky’s retinue has shown up. Your solution? Where can this disgraceful spectacle – these men dressed in sacks – be hidden? The entire journey of the great Humanist will have been for naught if he sees them now. Well, of course, he will try hard not to notice them, but help him! … The work assigner ordered: “Stop work! Close ranks! Still closer! Sit down on the ground! Sit still!” And a tarpaulin was thrown over them. “Anyone who moves will be shot!” And the former stevedore Maxim Gorky ascended the ship’s ladder and admired the landscape for a full hour till sailing time – and he didn’t notice!

Gorky stands in for all those farsighted intellectuals who praised the Soviet experiment, eyes locked on the horizon while the victims of the regime huddled half-naked under their tarps. It’s a metaphor, and it’s funny, too!

M.

* Even Solzhenitsyn’s footnotes are funny. Consider the unlucky peasant given a ten-year sentence for stealing a spool of thread – or as the authorities grandiosely described it in their indictment, “200 meters of sewing material.”